Friday, March 26, 2010

Shredder Friday Returns!

So, I spent the first half of my spring break rocking out pretty hard to Andrew WK and Megadeth. The rest of the week, however, was spent working my ass off moving my mother's office. Too exhausted from concert attendance and heavy lifting, I couldn't get a Shredder Friday post up last week. Let me make it up to you with this offering.

This is Tiago Della Vega setting a Guinness book world record for the fastest guitar playing. Or maybe its just the fastest anyone has ever played Flight of the Bumblebee? I guess that piece is just the standard for showing how fast you can play. He gets up to 320 BPM. I'll let you calculate how many Hz he's playing at. The actual guitar playing starts at 3:00.

This next video is Greg Howe playing the Beat It solo (originally record by Eddie Van Halen) on the Michael Jackson HIStory tour back in the mid 90's.

I just stumbled across this searching for Greg Howe videos. Here is the worst promo video I've ever seen (worse than this). Weird commercials for albums are always terrible, but this one is particularly bad. Just check it out.

And check out this weird video of Eddie Van Halen playing an instrumental version of Panama with David Letterman's band. Other than seeing some cool playing by Eddie, it's all about Paul Shaffer getting really silly on the organ.

That's all for this installment. Have a fun weekend, and make sure to figure out that fingering for the Phrygian mode... so tricky.

Wednesday, March 24, 2010


Reading through my posts on this blog, it is fair to say I can be a man of extremes when it comes to music. Sometimes when people ask what kind of music I enjoy, I tell them, "Extremely fast music and extremely slow music." With a few exceptions, this is the truth. It's like taking uppers and downers all day to stay even.

But what about the elevated, circular meeting point of "fast" and "slow"? In certain circumstances a strange equilibrium can be reached. A sustained tone and a repeated tone can create a similar effect. Both are a single note held for a period of time. The differences, while certainly subtle, are definitely important. The sustained tone allows for feedback potential as well as growth and varying amplitudes of the overtone series, but the rapidly repeated note has some different properties.

A sonic event repeated more than 20 times a second (Hz) is interpreted by the human ear not as rhythmic repetition but as a tone. 20Hz would be the lowest tone audible to human beings. The event (i.e. guitar pluck, snare hit, etc.) functions like a sound wave when repeated fast enough. Infrasonic waves lie below 20Hz, therefore inaudible to humans. When laced into music, or occurring in the environment, infrasound has been known to inspire fear, anxiety and even supernatural experiences in listeners.

So what the fuck does this have to do with Krallice?

If the tempo of a Krallice song is 130 bpm, and Mick Barr is playing his usual 16th note strums, that means he is playing a note at roughly 8.7Hz. And so it goes for every instrument in the band. Underpinning the slow harmonic movement of their songs, Krallice is creating infrasonic drones that are not directly perceivable. Hidden behind layers of guitars, blast beats and screaming are frequencies linked to a primitive instinct; the same instinct that sends animals running for safety soon before an earthquake or tidal wave.

This drone combines with thick reverb to create an uncomfortable yet very attractive atmosphere. The layered entrances and exits of ambient screams and lead guitar create a sensation I can only compare to the auditory hallucinations I have experienced as a result of food and sleep deprivation. Before the vocal line begins, as the lead line exits the song, I can still anticipate it so clearly in my mind that I question whether I am actually experiencing it. Listening to Krallice in the right frame of mind can melt away the barriers of perception and show you realities of music and sound you may not have ever conceptualized before.

Check out Krallice on their myspace. Get ahold of their new album, Dimensional Bleedthrough (perfect title), and catch them on their Spring/Summer tour with Ludicra. I'll be seeing them when they come through Baltimore on April 20th.

Tuesday, March 16, 2010

Review: Rust in Peace Anniversary Show Washington, DC 3/15/2010

I almost never go into DC anymore, but oddly enough I found myself there three of the last four days. I was there Friday to go to a morning show with Andrew WK playing at 8am, Saturday for some non-metal shit, and Monday to see a more or less reunited Megadeth play their greatest album front to back. It was pretty much everything I could have hoped for. If this tour isn't already sold out in your town, get some fucking tickets. Even if it is, just go try and buy some from a scalper, because it's more than worth it.

I was in a strange situation at this show. I bought my tickets before any of my friends, but the show sold out before they could get theirs. So I flew solo on this one. I made it to the 930 Club right before doors opened. When I got in I made my way right to the front where I would stay the entire show. The front is always a mixed bag of getting a great view of the bands, getting kicked in the head by crowd surfers, having the best chance of catching drum sticks/picks, and being mercilessly crushed into other human beings. Some notable moments: the dude jumping behind me and grinding his crotch into my ass, an idiotic old timer talking about how Ozzy's vocals are "right on the money" live, and another idiotic old timer making the same stupid jokes about my hair the whole show in between saying "Wow!" at any random event on stage. Despite all this, standing upfront allowed me to get some usable pictures of the bands. So, let's talk about the opener...


Exodus started their set to the most lethargic crowd I've ever seen at a metal show. I know it was Monday night, but fuck, everyone was just standing around not even headbanging (I was doing my best, but I didn't have much room). After the third song or so, singer Rob Dukes read everyone the riot act and things started to liven up. He even initiated a pretty rad wall of death. I really enjoyed Dukes as a singer. I saw Exodus open for Megadeth in 2004 on the System Has Failed tour, and he was MUCH better than the joker they had singing for them back then. Plus he's got a huge gnarly scar on his cheek. One thing I did miss from the 2004 show was the absence of Rick Hunolt on guitar, but Gary Holt held down the fort:


Unfortunately I didn't get any pictures of Testament because this security dude was standing right in front of me the whole time. Before the show I read all this shit talk online about how founding member Alex Skolnick wasn't going to be on the tour. I can understand a die hard Testament fan's grief, but for a casual fan I was pretty pumped to see Glenn Drover (ex-King Diamond, ex-Megadeth) rip some sweet solos and bust out some awesome harmonies with Eric Peterson. Chuck Billy was lookin pretty slim up there, at least compared to the photo I posted before. His vocals were pretty awesome as well. And I didn't even realize at first that Paul motherfucking Bostaph was on drums. He's a total animal, and I'm glad I got to see him live. It really just seems like the whole band is having an awesome time. And if you didn't know yet, Testament is playing their debut album The Legacy in its entirety on this tour.

And now, of course...


The biggest story of this tour is the return of David Ellefson on bass guitar. To contradict what I said above, the show was actually more than I hoped for. When I bought my ticket Ellefson hadn't rejoined the band yet. I was comfortable paying $46.50 to see Dave Mustaine playing Rust in Peace with some hired hands (more or less). Now I was seeing Megadeth for real again (like on the World Needs A Hero tour in 2001), since Mustaine and Ellefson were the only mainstays in the revolving line-up of the band until the breakup of 2002. So, everyone in the club had an especially nice warm feeling in their hearts watching the set.

Mustaine had some weird technical issues at the beginning of the set and changed his guitar like three times. At least everyone got to see all his nice guitars? Highlights from the Rust in Peace set are definitely Poison Was The Cure, Five Magics, and Take No Prisoners, and there was only one song from the new record. As far as the band, Chris Broderick is a total BEAST. The dude played the solos almost verbatim from the records. That's quite a feat, considering that their set list spans four guitar players. The fact that he's the most jacked member they've ever had only adds to his radicality. Of course, David Ellefson was great, and he had four nice moments in the set with just him and the crowd. With the bass intros to Poison, Peace Sells, Trust, and Dawn Patrol, everyone got a good dose of the only true Megadeth bassist. Lastly, Mustaine was Mustaine. His only real "banter" suggested that if he were to ever meet a "terrorist," he would force him to suck his dick and then kill him. That might seem pretty gnarly, but imagine it said in the least gnarly way possible. Bet let me assure you, it was certainly no dealbreaker. The Megadeth set was what I came for, and it was as good as I could ever ask for.

In all honesty, the shows on this tour are probably the best shows any of these bands have played since at least the early 90's. If you are into 80's thrash metal, this is your dream tour (until the American Carnage tour happens). Seriously though, there are NO SLOW SONGS played on this tour. Imagine going to see a heavy metal band and actually getting the shit kicked out of you by some killer thrash?! Seems like a no brainer, but sometimes it gets past some of these so-called "metal musicians."


Friday, March 12, 2010

Shredder Friday! Spring Break Edition!!

Oh yeah! Its that time of year when you take your midterms, blow off any homework your professors were stupid enough to assign you and PARTYLIKEYOUAINTGOTSCHOOLTOMORROW!

I'll be spending my break going to the Megadeth RIP tour, maybe meeting the band, working on my audition tape for Dragonforce, and generally chillin real hard. So check out some killer shredders below:

First its Paul Gilbert again playing Racer X's Scarified with his band. Playing in a space suit is one of the cooler ways to show people what a rad dude you are.

This is an old favorite of mine. I'm really not sure if this is a girl or a boy (I'm leaning toward boy), but this person has a ton of video covers. This one is Alcatrazz - Jet to Jet. My favorite part is how many views he has. Apparently these videos are ranked ridiculously high on Japanese youtube.

I love old videos of shredders chillin in their home studios wearing some weird outfit while playing something awesome on guitar. In this one, TJ Helmerich does some pretty mellow double handed tapping. The backing track is pretty hilarious too.

And to finish up this Friday, the great Billy Sheehan:

Well, everyone have a great spring break whenever it is!

Wednesday, March 10, 2010

Barn Burner - Bangers

I heard of this band from my friend Sammy, who heard about it from a blogger, who heard it from his neighbor, who, in turn, named his bong "Sub-Zero." Let's just say it came highly recommended.

Let's start with the cover of this record. It's got it all. A gnarly skelly holding an equally gnarly walking stick and goblet. A Dean-esque guitar stands on the right wall behind a pretty sweet dog. And, of course, there's a skateboard and empty pizza box. This is like the scene in Conan where he falls into the Tomb of Crom and finds his sword among the ancient remains of a throneroom ...but like, if it were a Bill and Ted movie instead.

The album itself succeeds as a metal/hardcore crossover that isn't quite as rowdy and offensive as S.O.D., and certainly can't be classified as "metalcore." If I had to pick a band from either genre, I'd say Diamond Head/Black Flag is the best combo I can think of. The opening track, Holy Smokes, is a total Diamond Head riff-fest, even though Iron Maiden kind of used the song title already. Runnin' Reds best shows the similarity to Rollins-era Black Flag. The posi chorus is the icing on the cake, though. And it doesn't hurt that singer Kevin Keegan sounds a ton like Rollins on most of Bangers.

On first listen Bangers just seems like an above average stoner hard rock/metal album. But upon closer inspection, one finds that the record has a lot to offer, thankfully straying from the well trodden path of most "doom/stoner" music.

I would recommend this to fans of old school hardcore, NWOBHM, Early Man, and even early Wires on Fire (if anyone even knows about them...).